Drive is the best movie of 2011. Hands down. This totally stylized and uber-violent film decides to use actions and emotions to lead the audience through the plot. A very gutsy move for a supposed action movie. It pays off.The unnamed Driver (Ryan Gosling) is a stuntman by day and a rented getaway driver by night. He works his second job anonymously, never for the same client twice and allows them only five minutes of his time. One day, he meets his neighbor Irene (Carey Mulligan). They seem to hit it off, but Irene's husband, Standard, soon returns from prison and his past life quickly catches up with him. The Driver decides to help Standard pay off his debt by driving for him on a robbery. But the heist goes bad, and now the Driver must figure out who is trying to kill him. And for what. It all circles back to a Jewish mobster the Driver had met once at his garage. Bernie Rose (Albert Brooks), while covering his tracks, is ultimately the one the Driver is avoiding. But it's not an easy task. The Driver must find out information about Rose, while also trying to avoid him at the same time. All of this while attempting to keep Irene and her son out of harms way. Good luck.
I was just in awe when I watched this movie. The trailer really doesn't do it justice. While there are some car chases in the film, there really is very little driving. The title has two meanings. Gosling was fantastic in a subtle, yet brooding way. But Albert Brooks kicked it up a notch and gave an outstanding performance. Who would have guessed he'd play the badass mobster while Ron Perlman, aka Hellboy, plays the stereotypical neurotic Jew character. Director Nicolas Winding Refn also does a terrific job of keeping your attention throughout. The directing style is very influenced by the likes of Tarantino and Kubrick, while also referencing Taxi Driver and Bullitt. I cannot say enough good things about this movie. But be warned, while there isn't a whole lot of violence, the violence it has is pretty gruesome. Grade: A+
