The 10 Best (and 5 Worst) Films of 2011.

First of all, I know I've been a poor blogger of recent months. I'm still watching plenty of movies, just not giving myself enough time to finish up the reviews. However, beginning with this post, I will make sure I'm more attentive.

Though we are nearly six months into 2012, DVDs have finally let me view all of the films I intended to last year. Here we go:

tie-10) Warrior/The Help
Believe it or not, both of these movies had some things in common. While both films had cheesy and predictable moments throughout, they each had terrific performances that couldn't be ignored. With Warrior, the trailer said everything but Nick Nolte and Tom Hardy gave real gritty performances that kept the audience involved. The Help, on the other hand, didn't have as much cheese but it was there. What put it over the top were the great jobs done by Octavia Spencer and Jessica Chastain. To me, those two made the movie.


9) Conan O'Brien Can't Stop
I went into this movie just expecting a simple documentary about what happened to Conan between his exit from The Tonight Show and his standup tour over the summer of 2010. What I got was a very deep film about what was going on in his head. You got to see the emotion, the disparity, the sadness and the joy he got while on tour. It was the hardest time of his professional life and the viewers got to see all of it. O'Brien didn't hold anything back and the film was better off for it.


8) 50/50
What a great look at how it must feel for a young person to go through the stages of cancer. 50/50 used humor to not only mask, but also reinforce the emotions that Joseph Gordon-Levitt's character is going through. This movie got royally shafted in the 2012 Oscar race. It could've easily taken a Best Screenplay nomination, if not a victory.


7) Harry Potter and the Deathly Hallows, Part 2
The final film of the Harry Potter series may have been the best one. To this day, I'm still undecided on whether it's better than Prisoner of Azkaban, but this one was damn close. It ended the series perfectly, keeping the characters' stories rich and full while finishing them in a way that satisfies the audience. With my wife having read all the books and me not, I can say that, from both perspectives, this movie was a fitting end.

6) The Artist
The Oscar winner for Best Picture was a niche film. But it was so beautifully done that I have no problem with it claiming the top prize. The Artist, even with no sound and in black and white, easily maintained the feelings and depth that many talkies strive for. Jean Dujardin gave an outstanding performance, but I believe that James Cromwell's role as George's servant went unnoticed. I could've seen him getting a Best Supporting Actor nod.

5) The Muppets
Jason Segel did it. He managed to make the Muppets relevant again in a world that may have forgotten about them. The humor and the music was so upbeat and fresh that it kept me enthralled from the get-go. Nothing was funnier to me than Chris Cooper saying "Maniacal laugh" instead of actually laughing. I can see myself watching this movie for several years to come.


4) Contagion
I love thrillers. If done correctly, they may be my favorite film genre. Contagion took the thriller movie to the realms of the conspiracy theory genre. This film makes you believe that this could happen in real life. The sheer terror and utter chaos that would erupt if a deadly virus took hold of the world. Despite the entire Marion Cotillard storyline, this movie was near-perfection to me. Matt Damon, Jude Law, Kate Winslet...they all gave outstanding performances within the ensemble cast.

3) Hugo
Martin Scorsese's ode to films was such a magical journey. While I regret not seeing this in 3-D, the 2-D visuals are more than enough to keep me enjoying the movie. Set in a Paris train station, Hugo makes you feel like you're in this vast setting even though you're not. Throw in terrific performances from Ben Kingsley and Chloe Moretz, and you have a movie that will go down as one of Scorsese's best. Even though it has no gangsters or swearing.

2) The Descendents
Alexander Payne made his masterpiece. He managed to direct a terrific movie that combined humor, heart and despair. George Clooney was outstanding as a man who battled the emotions of a wife in a coma and the revelation that she was cheating on him. I would have given this the Oscar for Best Picture, Best Actor and even Best Director.

1) Drive
Shades of Tarantino, shades of Kubrick and shades of Scorsese are all brought together in this brilliant piece of cinema. Drive manages to keep the action-movie pace alive while rolling through the plot in a very slow, decisive way. Ryan Gosling barely speaks, but you can see his emotions and rage in his actions. But the real star of the movie was Albert Brooks. His methodical take on a mobster was refreshing. Brooks could have easily taken Jonah Hill's spot in the Best Supporting Actor nominations. Thank God this is now on Netflix, I may never stop watching.

Now, the Bottom Five of 2011:

5) Extremely Loud & Incredibly Close
I won't dog this film for its plot or the incredible annoyance of Thomas Horn. This movie sucks because the filmmakers are trying to make the audience cry. The characters are supposed to make us do that, not the studio heads and suits. Also, Thomas Horn was crazy annoying.

4) Killer Elite
What the hell just happened? Jason Statham is trying to save Robert De Niro from some Arab guy, while Clive Owen is trying to kill Jason Statham for no apparent reason. So, there's the plot. This movie could have been saved a little by the action/fight scenes, but they sucked, too.


3) Hall Pass
What happened to the Farrelly Brothers? Dumb & Dumber, Kingpin, There's Something About Mary. They used to know how to make an adult comedy that worked on many levels. Hall Pass, on the other hand, made Say It Isn't So look like gold. And this is coming from someone who likes Jason Sudeikis.
 
2) The Green Hornet
A terrific-looking trailer turned into an extremely disappointing movie. While Seth Rogen was wrong for the lead role, he was hardly the real problem. That belonged to Michel Gondry. The once-talented director of Eternal Sunshine of the Spotless Mind is a terrible action director. The film was so disjointed and uneven that I lost interest almost immediately. Some of the action scenes were cool, but I actually left this movie feeling like I completely wasted two hours. That doesn't happen often.

1) Battle: Los Angeles
Combine every single alien action movie of the last 20 years and you have this God-awful excuse of a movie. The war scenes sucked, the acting was phoned-in, the plot made no sense and the graphics made it look like I was playing Halo made for Nintendo 64. The filmmakers should consider themselves lucky that I even made it through this movie. I'm happy to see it wasn't a success that would have spawned unnecessary sequels.

There you have it. My long-overdue Best/Worst Of 2011 list.

Extremely Loud & Incredibly Close (2011)

I'm not going to jump on the bandwagon of completely ripping this movie apart, because I didn't find this to be abhorrently bad. It wasn't good, that's for sure, but not for the reasons most critics hated it.

Oskar Schell (Thomas Horn) is a tweenaged student with borderline Asperger's. He is also trying to deal with the death of his father, Thomas Schell (Tom Hanks), who was killed in the 9/11 attacks. He can't even bring himself to say the date again, just referring to it as "the worst day." Oskar physically harms himself in order not to deal with his emotions. Some time after 9/11, Oskar goes into his father's closet and knocks over a vase. Inside is a key with an envelope labeled "Black." Oskar considers this an adventure from his father and sets out to interview every person with the last name Black. Some are inviting, while others simply shut their doors. During the interviews though, he stumbles upon a stranger (Max Von Sydow) renting out his grandmother's spare room. The two of them together continue on Oskar's quest, while also learning they both need to find a better way to deal with their emotions.

I'm going to get in the one positive from this movie: Max Von Sydow. He deserves all the praise he got. Without saying a single word, Von Sydow managed to convey his feelings to the audience in a way that felt genuine. As for the rest, not so much. I don't usually like to bag on child actors, but they couldn't have found a less likeable/more annoying kid. I'm not sure who could've played the role better, but that's what casting departments are for. The film itself almost makes you want to hate it because it practically forces you to cry. I have no problem with using 9/11 as a plot point, but this just didn't do it right. It's quite clear what this movie wanted its audience, so much so that the filmmakers must have knowingly tried to ram it down our throats in order to get an Oscar nod, which it somehow managed to do. Done the way it was, it really is an unnecessary film. Grade: C

2012 Oscar Picks

It's that time of year again. Tonight is the 84th annual Academy Awards. I will be giving my picks for certain categories, as well as what I think will actually win in said categories. Note: some key movies I haven't seen so far include The Tree of Life, Beginners, Iron Lady, A Separation and The Girl with the Dragon Tattoo. I tried to see as many as I could, but my son Harry was born this year. I'll take him over movies anytime.

Best Picture:
My pick: The Descendants
Prediction: The Artist

Best Director:
My pick and Prediction: Michel Hazanavicius (The Artist)

Best Actor:
My pick: George Clooney
Prediction: Jean Dujardin

Best Actress:
My pick and Prediction: Viola Davis

Best Supporting Actor:
My pick: Max von Sydow
Prediction: Christopher Plummer

Best Supporting Actress:
My pick and Prediction: Octavia Spencer

Animated Film:
My pick and Prediction: Rango

Best Adapted Screenplay:
My pick and Prediction: The Descendants

Best Original Screenplay:
My pick and Prediction: Midnight in Paris

There are just the major categories. I don't feel I've seen enough of the other categories to make an informed decision. Now, here's my ranking for the Best Picture nominees. Only the 8th spot wouldn't get a passing grade from me. I still have a few more movies to watch before I officially name my Top Ten of 2011.

Best Picture (My Rank):

1. The Descendants
2. Hugo
3. The Artist
4. Moneyball
5. The Help
6. Midnight in Paris
7. War Horse
8. Extremely Loud & Incredibly Close
   

There you go. Enjoy the show

Midnight in Paris (2011)

Brace yourselves, I liked a Woody Allen movie. A lot. I haven't been able to say that for a long time. For the longest time, his writing has felt so stilted that I couldn't find myself interested at all. And yes, that goes for Vicky Cristina Barcelona. I don't care how many people tell me how good it was.

Hollywood screenwriter Gil Pender (Owen Wilson) and his fiance Inez (Rachel McAdams) are vacationing in Paris with Inez's wealthy parents. Gil is distraught with the state of his writing and wants to move to Paris. But Inez is too uptight and well-do-to and refuses to play along. After disheartening dinners with Inez's parents and some of her friends, Gil takes a midnight stroll in the City of Light. While walking, a car pulls up asks Gil to hop in. Because he's drunk, he agrees. He's whisked away to a party that seems odd to him. Gil soon comes to realize he's somehow transported to the 1920s. He's partying with some of his idols. Ernest Hemingway and Cole Porter, along with F. Scott and Zelda Fitzgerald. Every night after, Gil continues the midnight strolls and starts to fall for Adriana (Marion Cotillard). But he has to figure out how that could possibly happen, and what impact it could have on Inez. More to the point, does he really care?

I was surprised by how much I like Midnight in Paris. The screener was just sitting on my table for months, and I was putting it off. I'm really happy I finally watched. Even Owen Wilson worked in this. But my personal favorite parts involved either Ernest Hemingway (Corey Stoll) or Salvador Dali (Adrian Brody). They were both hilarious and kept me waiting for when they'd appear on screen again. As much as I liked this film, one part knocked this down at least half a grade. It was toward the end, when Wilson just blatantly states the moral of the film. Almost like the audience is too slow to figure it out on our own. But I got past that, and so can you. This will surely win an Oscar for screenwriting. Grade: A-

Super 8 (2011)

Who likes lens flares? Ending aside, this may have been the best action movie of 2011. J.J. Abrams is a great director who knows how to keep the story going and the audience involved. And if you have "Friday Night Lights" star Kyle Chandler in one of the leads, I'm in.

Circa 1979, Joe Lamb (Joel Courtney) and his father, Deputy Jack Lamb (Chandler) have suffered a tragedy. Jack's wife has died in an accident at the factory where she worked. After some time has past, Joe turns to making films with his friends as a way to cope. While making a low-budget zombie movie, the gang witness a horrific train accident caused by one of their teachers. The teacher briefly survives and tells them to never talk about what they've seen or they will be killed. They all agree, but strange things soon start to occur around town. Animals and people start disappearing, and now Deputy Jack wants answers from the Air Force, who is conducting the "cleanup." Without giving too much away to those who haven't seen this, it's a sci-fi movie. Take what you will from that.

My favorite aspect of Super 8 was that it's equal parts action flick and conspiracy film. The action was well-balanced throughout with the more dramatic scenes involving Joe's family and love interest. For being a sci-fi movie, the scenes felt believable. Like they could happen in real life, if this was at all possible. The last 25-30 minutes or so kind of lost the tone of the movie. It wasn't bad, it just didn't totally fit. I still highly recommend this movie, but the grade for the first half of the film would've been higher than the grade for the full film. Grade: B+

The Muppets (2011)

This is the most feel-good movie of the year. Any audience member can come out of this film with a smile on their face. The Muppets just make people happy.

Walter is a man born a Muppet growing up in Smalltown. His older brother is a human named Gary (Jason Segel). As kids, the two brothers quickly become fans of The Muppet Show and Walter has someone he can look up to. He starts to idolize the Muppets. For his ten-year anniversary with girlfriend Mary (Amy Adams), Gary agrees to take Walter along on their trip to California to see the Muppet Studios. On the tour, Walter overhears oilman Tex Richman's (Chris Cooper) plan to destroy the studio and drill for the oil underneath. Distressed, Gary and Walter set out to find the Muppets and tell them Richman's plan. After meeting Kermit, finding the rest of the original Muppets gets easier. Now, they must put together a massive show, with no real funding, to try and raise the money to save the theater from Richman's evil grasp. It's a tall order considering no celebrities will help and the Muppets themselves are no longer thought of as famous. But, come on, it's the Muppets. Of course everything will work out, right?

This was just a fun movie. I can't stress that enough. Any fan of the Muppets or comedies in general should love this film. Not only were the main stories and characters good, but there were so many smaller details that just cracked me up. The main one being whenever Tex Richman wanted to laugh, he'd just say "Maniacal laugh" over and over again. Throw in celebrities from Jack Black to Neil Patrick Harris to Judd Hirsch, and you have the makings of, well, The Muppet Show. Rarely does a flick make me want more, but I could have watched another hour of this and not be upset. Do yourself a favor and watch this. Grade: A-

Paradise Lost 3: Purgatory (2011)

Let me start by saying I have not seen either of the first two documentaries in the Paradise Lost series. Luckily, a good portion of this film is focused on the past history of the West Memphis 3.

In 1994, teenagers Damien Echols, James Baldwin and Jessie Misskelley were convicted of killing three younger boys in a wooded area of Arkansas. Echols was sentenced to death and the other two were given life sentences. In the first Paradise Lost, filmmakers Joe Berlinger and Bruce Sinofsky notice some inconsistencies with the evidence presented at the trial. That movie helps get the attention of the national media and celebrities and the conspiracy theories start up. This film picks up 15 years after the conviction. The focus shifts to how views have changed about their guilt/innocence. John Mark Byers, the father of one of the victims, makes the strongest case. In the first two films, he strongly believed the WM3 should be punished for their "devilish" ways. But now, he feels they are completely innocent and the focus should shift to Terry Hobbs, the stepfather of another victim. The court proceedings keep going at a snails pace for the WM3 when, all of the sudden, they're able to walk out of prison using a unique plea deal. Maybe Paradise Lost 4 will focus on their lives after prison.

This was a very informative film and I was definitely glad I randomly caught it on HBO one night. While the filmmakers agenda is clear, Berlinger and Sinofsky made sure they covered every angle possible. From Echols to Byers to Hobbs to the Dixie Chicks, every opinion matters and every side of the story needs to be told. The movie, for the most part, took its time with the bevy of information it had to give to the audience. But the ending was rushed together, and understandably so. Filming had basically ended when the WM3 were suddenly released in August 2011, so the release had to be pushed back. It's absolutely not the best documentary I've seen this year, but I did find it informative and enjoyable. Grade: B

The Artist (2011)

Ladies and gentlemen, this is your front-runner for the Academy Awards. And while it's not my personal favorite film of the year, The Artist deserves all the accolades it's getting. Sure it's a niche movie, but one that still leaves you wanting more.

In 1927, silent film star George Valentin (Jean Durjadin) is riding high following the premiere of his latest flick. He showboats on stage and in front of the cameras for all to see. Outside the theater, he literally bumps into Peppy Miller (Berenice Bejo). They laugh about it, but the paparazzi snaps a photo that hurls them both on the front page. Soon after, they run into each other again as Miller auditions for a role in Valentin's latest film. With George's help, Peppy soon starts getting bigger roles. But within two years, the movie studio starts shifting toward talkies. George shrugs the idea off, but realizes its staying power when the studio halts production on all silent movies. Undeterred, George sets out to fund his own silent movie. But the film is set to release against Miller's latest talkie, one a date that coincides with the 1929 stock market crash. When the film fails, George is bankrupt. The downward spiral begins right as Miller shoots to super-stardom.

I don't throw this word around often, but The Artist is delightful. It was a very well-made and enjoyable film. The way director Michel Hazanavicius managed to keep the tone and style of the movie upbeat while dealing with a variety of serious topics. A lot of it was the fact that this was a mostly silent film. That being said, my favorite scene was one specifically focused on sound. George has a nightmare where everything makes noise except him. It's brilliantly done. Anyway, this film will probably win Best Picture and most definitely win Best Director. Maybe not my choices, but I won't be upset like I was last year. Watch this movie. Grade: A

Tinker Tailor Soldier Spy (2011)

I love a good spy movie, and who doesn't love slow-moving pieces driven mostly by dialogue. Okay, I may be alone on the second one. Anyway, Tinker Tailor Soldier Spy managed to walk that line as closely has possible without falling off, only swaying from side to side.

Circa 1973, a British Intelligence agent is shot and wounded during a botched mission in Hungary. As a result, the head of the agency (aka The Circus) and his right-hand man George Smiley (Gary Oldman) are forced into retirement. It wasn't long though before Smiley is brought out of retirement to look into an allegation by agent Ricki Tarr (Tom Hardy) about a high-ranking mole. Smiley soon starts interviews with all the higher ups in the Circus. But each one of them seems to be more suspect than the last. In the meantime, Tarr's story about how he's come to believe in the mole's existence gets deeper and deeper. Smiley keeps getting answers, but not all of them are ones he wants to hear. These men are some of best colleagues he's ever worked with, how could one of them turn on the agency?

While Gary Oldman was great in this movie, I was really hoping for slightly more. As I mentioned before, this was a very slow moving film. And I didn't have a problem with that. My problem was how the plot kept jumping back and forth, almost intentionally confusing the viewer. I understand it's a whodunnit, but there has to be a focused plot line that can be followed. Plus, as in any good spy movie, I expected some twists and turns. TTSS didn't really have any. It walked the straight line of mediocrity without moving at all. It's a good film, nothing more, nothing less. Grade: B-

Source Code (2011)

Man, 2011 was a year of crazy movie disappointments. Starting with The Green Hornet and all the way up to J. Edgar. Lots of films have not lived up to their trailers. Well, you can throw Source Code right up there with the rest. An interesting premise that became unnecessarily complex.

Army pilot Colter Stevens (Jake Gyllenhaal) wakes up on a commuter train traveling toward Chicago. He is completely unaware of his surroundings because he last remembers being on a mission in Afghanistan. His travel partner Christina Warren (Michelle Monaghan) seems to recognize him. Stevens goes to the bathroom where he appears as Sean Fentress. As he tries to figure everything out, everyone on board the train is killed by a bomb. This causes Stevens to wake up in a metal pod. Through a screen, Air Force Captain Goodwin (Vera Farmiga) explains to Stevens that he's in the "Source Code." The device allows Stevens to go back in time and try to stop the bomb from going off. Problem being, he has only eight minutes to do so every time he's sent back. Stevens goes back and forth in time to rule out the passengers as suspects and to find the explosive. During each passing trip in time, Stevens grows increasingly attracted to Christina and becomes hellbent on saving her from the impending disaster. But that's a task Capt. Goodwin says cannot be done.

This whole movie just felt so rushed. The filmmakers should have at least tried to give the characters some sort of backstory. For what it's worth, Jake Gyllenhaal and Vera Farmiga tried their best with what little they were given. I've never been a fan of Michelle Monaghan so you can just guess what I thought of her. The real odd part for me was Jeffrey Wright. He's the best actor in the movie, but manages to appear apathetic throughout. His terrible "scientist guy" voice just made me cringe. I will end on a positive thought. The action sequences, while rushed, were kind of cool. Other than that, you're wasting your time. Grade: C-

Moneyball (2011)

Before I could determine my level of appreciation for this movie, I really had to think about it. There were two messages that could be taken away from Moneyball. Depending on which message I thought was more prevalent helped shape my critique.

Billy Beane (Brad Pitt) has recently been named the general manager of the lowly Oakland Athletics. After a 2001 postseason loss, and the departure of his most valued players, Beane needs to figure out a way to win on a shoestring budget. During a visit in Cleveland, Beane meets Peter Brand (Jonah Hill). He is a young economics graduate with out-of-the-ordinary ideas on how to judge players' worth. Beane eventfully convinces Brand to spurn the Indians and come work for the A's. Right then, the two start going against traditional baseball scouts and using sabermetrics to figure out which players could help Oakland win in its current system. The largest point of contention was first base. The coach wanted budding star Carlos Pena, but Beane wanted former catcher Scott Hatteberg, who is coming off major surgery. It's obvious who prevails. After a poor start to the season, the A's win a record 20 straight games on their way to a postseason berth.

With Bennett Miller directing, Aaron Sorkin writing and Brad Pitt in the lead, it's hard not to go wrong with this film. However, as I stated earlier, Moneyball could've gone two ways. 1) Traditional baseball wins out and sabermetrics is just as unsure as scouts, or 2) Sabermetrics combined with aging values can make for a winning team. The latter was what I took from this film, and I'm glad I did. As a baseball fan, I don't totally agree with sabermetrics, but I understand its value. There's a place for it in the annals of Major League Baseball, but it won't always determined the best team. While Beane's A's didn't win the World Series that year, the film notes that the 2004 Boston Red Sox used Beane's methods and took home the title. It changed baseball, there's no doubt about that, but it also helped solidify what baseball is in its purest form: a game that any team can win at any time. Grade: A-

The Guard (2011)

Let me start out by saying I loved In Bruges. A terrifically dark film and one of my favorite comedies of the past five years. It also starred Brendan Gleeson and was directed by Martin McDonagh, whose brother John Michael directed The Guard. The similarities don't just end there.

Gerry Boyle (Gleeson) is an unorthodox small-town Irish police officer. He wants to be Dirty Harry and loves hookers. One day, Boyle and his new partner come across a dead man in a rural home. A few days later, his department is treated to a visit from FBI agent Wendell Everett (Don Cheadle). He explains to Boyle and the other cops that the FBI is tracking a drug shipment to a nearby port. Turns out, the dead man Boyle found was involved in the trafficking. Soon after that, Boyle's brash, young partner goes missing and his wife is constantly at Boyle's side trying to find out why. Now, this unlikely duo must partner up to try and find these dangerous criminals who weren't thought to be in the country for some time.

This movie was made for dark humor aficionados. I'm not going to say it's as good as In Bruges, but it's definitely funny. Brendan Gleeson has a quick wit about him and his chemistry with Don Cheadle makes this a very enjoyable film. Thrown in Mark Strong, who is good in everything, as one of the drug traffickers and that makes it all the better. The Guard did get a few points knocked off for the ending. It's not that it didn't make sense or that it wasn't satisfying, it was just poorly put together. The whole sequence felt more rushed than it should have. That said, I'd still recommend this to anyone who loves a good dark comedy. Grade: B

The Hangover Part II (2011)

One its own, this would have been a passable comedy. It had equal parts raunch and wit, and could have easily kept audiences happy. But the fact that it's nearly identical to the original makes The Hangover Part II seem exceptionally lazy.

Two years after their experience in Las Vegas, Stu, Phil, Alan and Doug head to Thailand to celebrate Stu's impending nuptials. Almost immediately, the group decides to avoid their Vegas debacle and have a calm bachelor bonfire on the beach the night before the wedding. Cut to the next morning, and it's deja vu for the guys. Phil wakes up still a little smashed, Alan is sporting a new buzzcut, and Stu somehow got a face tattoo mirroring Mike Tyson's. Oh, and there's a monkey. Chaos ensues when the guys realize Stu's fiance's brother is missing in Bangkok. Now, the gang must first figure out what steps they took the night before in order to retrace them. Their misadventures take them to a Buddhist temple, a transsexual strip club and a health clinic. They also had run ins with Russian mobsters and a dangerous crime lord. Twists and turns along the way, of course.

Where to begin. I'll start with the similarities between the two Hangover movies. They're all there. Instead of Doug going missing, it's Stu's fiance's brother. Instead of a tiger, it's a monkey. Instead of the seedy underbelly of Las Vegas, it's the seedy underbelly of the world. Throw in Chow and the supporting cast from the first flick, and there you have it. I'm not sure where the blame lies with getting this movie green lit, but I'm just going to spread it around to all parties involved. Save for some Zach Galifianakis one-liners, this really isn't worth it. Grade: C-

Drive (2011)

Drive is the best movie of 2011. Hands down. This totally stylized and uber-violent film decides to use actions and emotions to lead the audience through the plot. A very gutsy move for a supposed action movie. It pays off.

The unnamed Driver (Ryan Gosling) is a stuntman by day and a rented getaway driver by night. He works his second job anonymously, never for the same client twice and allows them only five minutes of his time. One day, he meets his neighbor Irene (Carey Mulligan). They seem to hit it off, but Irene's husband, Standard, soon returns from prison and his past life quickly catches up with him. The Driver decides to help Standard pay off his debt by driving for him on a robbery. But the heist goes bad, and now the Driver must figure out who is trying to kill him. And for what. It all circles back to a Jewish mobster the Driver had met once at his garage. Bernie Rose (Albert Brooks), while covering his tracks, is ultimately the one the Driver is avoiding. But it's not an easy task. The Driver must find out information about Rose, while also trying to avoid him at the same time. All of this while attempting to keep Irene and her son out of harms way. Good luck.

I was just in awe when I watched this movie. The trailer really doesn't do it justice. While there are some car chases in the film, there really is very little driving. The title has two meanings. Gosling was fantastic in a subtle, yet brooding way. But Albert Brooks kicked it up a notch and gave an outstanding performance. Who would have guessed he'd play the badass mobster while Ron Perlman, aka Hellboy, plays the stereotypical neurotic Jew character. Director Nicolas Winding Refn also does a terrific job of keeping your attention throughout. The directing style is very influenced by the likes of Tarantino and Kubrick, while also referencing Taxi Driver and Bullitt. I cannot say enough good things about this movie. But be warned, while there isn't a whole lot of violence, the violence it has is pretty gruesome. Grade: A+

The Descendants (2011)

Director Alexander Payne has always had a talent for combining comedy and drama in such films as Election, Sideways and About Schmidt. But Payne managed to outdo himself with The Descendants, which I consider to be his masterpiece.

Matt King (George Clooney) is a lawyer living in Honolulu with his family. He is also the sole person in charge of a family trust that controls thousands of acres of land on Kaua'i. Matt's always been a career man, putting his family on the backburner. His family moves to the forefront after Matt's wife is knocked into a coma following a boating accident. Now in charge of precocious 10-year-old Scottie and rebellious 17-year-old Alex (Shailene Woodley). Matt has never really connected with his daughters, but must force adult conversations onto Alex, who had a blowout with her mother shortly before being shipped to boarding school. Alex eventually tells Matt the reason for the fight was that her mother was having an affair. Already dealing with his wife's injuries, Matt must now face a question he may never get answered. On top of all that, the rest of Matt's extended family is trying to pull him in different directions on the land deal. There are decisions abound for a career decision-maker. Only now he doesn't know what to do.

George Clooney does a terrific job as a man torn between several possible outcomes. He excels in the scenes that need to delicately tiptoe between comedy and drama. Just as great was Shailene Woodley as the teenager thrust into the maternal role. Woodley deserves every accolade she gets for this movie because she managed to hold her own on-screen opposite Clooney. Every other actor added great performances that left me with the feeling that every single character had a reason to be there. I could just keep going about how great this movie was. From the way Alexander Payne keeps the story flowing at an enticing pace, to how the plot manages to balance several storylines without forgetting its core message. Watch this film because it may very well win Best Picture this year. Grade: A+

The Devil's Double (2011)

Look at that badass poster. Shame the movie didn't live up to it. With all due respect to Dominic Cooper, who valiantly played dual roles in this, The Devil's Double just fell short, plain and simple.

Latif Yahia (Cooper) is an Iraqi soldier who is called off the battlefields of the Iran-Iraq War to become the new body double for Uday Hussein (also Cooper). It's not a role Latif is eager to play but reluctantly takes the job after some persuasion (i.e. torture). Latif undergoes various tests and procedures to make sure he resembles Uday as closely as possible. Once complete, Latif can now witness firsthand the life of a madman. Uday Hussein is a sex-crazed psychopath that will stop at nothing to get what he wants, even if that means leaving his desires dead on the side of the road. And Latif had better help in this manner because there's really no telling how Uday could react. As for official business, Latif does all of that. Uday is too powerful (i.e. lazy) to be seen in public giving official orders or commands. Eventually, one particular order is too much for Latif and his relationship with Uday unravels quickly.

Dominic Cooper really does do a good job playing both parts. It could have easily come off as stunt-casting, but managed to veer away from that pretty soon after the movie began. Unfortunately, the film itself just undid itself. The plot was too quick to really get connected to some of the characters and the graphics were a little choppy at parts. Plus, while you can tell it takes part around the Gulf War, the movie's timeline appears skewed a bit even though it's actually going in chronological order. I really wanted to like this, but it's just too flat. Grade: C

Warrior (2011)

Cliches and predictability be damned, Warrior still manages to pack one hell of an emotional punch. This film is buoyed by great performances from all three of its leads.

Soldier Tommy Riordan (Tom Hardy) returns home from the Iraq War and finds his former drunk of a father Paddy (Nick Nolte). Tommy hates his father, but has no place else to stay. Tommy still blames Paddy for his mother's death. While working out at a local gym, Tommy steps into an MMA ring to make some extra cash and subsequently knocks out the gym's star fighter. Once that happens, he instantly becomes a YouTube sensation. Meanwhile, Paddy's other son Brendan Conlon (Joel Edgerton) is a high school teacher and former UFC fighter. Brendan is struggling financially and starts fighting on the side to earn some extra money. And Tommy hates Brendan, too. Both of those paths eventually lead to a unique NCAA-type MMA tournament called Sparta. Tommy needs his father to train him, while Brendan is forced to give up his teaching job in order to compete. The odds are completely stacked against the brothers, both in and outside the ring.

If you've seen the trailer for this movie, you've basically seen the whole thing. But as I mentioned earlier, the performances from Hardy, Edgerton and Nolte elevated Warrior to another level. Hard to explain, but it's true. Each one of them threw something else on the table to make a very common plotline feel fresher. I also really enjoyed seeing "All-American boy" Kurt Angle in a non-speaking role as a Russian fighter named Koba. This is one film that really needs to be seen in order for you to fully understand where I'm coming from. Tough to say whether this makes my Best of 2011 list, but it will be close. Grade: A-

Good Hair (2009)

My interest in this movie wasn't so much about the history and culture behind the hair of African-Americans, but more so with Chris Rock. The topic of the movie, while somewhat appealing, is a little dull. But Rock's humor and direction helped this move along at an amusing rate.

According to Chris Rock, the idea for the documentary came about after his young daughter asked him, "How come I don't have good hair?" After that, Rock heads to find out what black people go through to style their hair, and more importantly, why they do it. Rock tackles the topics of identity, conformity, attitude and wealth when styling hair. His journey takes him to Atlanta, North Carolina and even India. The latter of which is where most of the world's human hair gets imported from. Rock interviewed several celebrities, including the Rev. Al Sharpton, Ice-T and Nia Long to see when they first started getting their hair styled and how they did it. But the core focus of Rock's documentary is the Bronner Bros. annual hair show in Atlanta. This event features a spectacular display of hair cutting that really needs to be seen to be believed.

Chris Rock is lucky he's a very funny man because without his often hysterical voiceovers, this documentary wouldn't be half the movie it is. That being said, the film chose to highlight certain scenes that perplexed me. They'd spend a lot more time than necessary discussing a certain topic. I thought they should've been out demonstrating what had been talked about, but that wasn't done often. The best parts of the movie involved either Dr. Maya Angelou being questioned about her hair or Rock's trip to India. While good and worthy of a recommendation, this documentary was far from great. Grade: B-